Online gallery of Japanese contemporary art

Japanese artists shown at Yokohama Triennale 2011

Yokohama Triennale 2011 "OUR MAGIC HOUR - How Much of the World Can We Know? -" is held this year. We would like to show artworks by the Japenese artist participating in the show.

Yokohama Triennale 2011 “OUR MAGIC HOUR – How Much of the World Can We Know? -” is held this year. We would like to show artworks by the Japenese artist participating in the show.

"gold finger" 2011 by Motohiro Tomii, made with lots of pushpins

“gold finger” 2011 by Motohiro Tomii, made with lots of pushpins

Video work "Sweet Friday" by Keiichi Tanaami, 1957 (left) and drawing "Helarctos malayanus", 2010 by Manabu Ikeda (right).

Video work “Sweet Friday” by Keiichi Tanaami, 1957 (left) and drawing “Helarctos malayanus”, 2010 by Manabu Ikeda (right).

Painting "Unidentified garden", 2009 by Kaoru Usukubo

Painting “Unidentified garden”, 2009 by Kaoru Usukubo

Fragile artwork "Phenotypic Remodeling (Newspaper)" by Takahiro Iwasaki, 2010 (left) and installation work "Fishing and Bone setter" by Taro Izumi, 2011 (right).

Fragile artwork “Phenotypic Remodeling (Newspaper)” by Takahiro Iwasaki, 2010 (left) and installation work “Fishing and Bone setter” by Taro Izumi, 2011 (right).

Installation work "Five Elements, Lake Superior" 2011, "Lake Superior, Cascade River" by Hiroshi Sugimoto, 1995 (left) and photograph "HISAIBANA (Flowers for Vistims)" by Nobuyoshi Araki, 2011 (right).

Installation work “Five Elements, Lake Superior” 2011, “Lake Superior, Cascade River” by Hiroshi Sugimoto, 1995 (left) and photograph “HISAIBANA (Flowers for Vistims)” by Nobuyoshi Araki, 2011 (right).

"TELEPHONE IN MAZE" by Yoko Ono, 2011, Courtesy the Artist Photo by Keizo Kioku, Photo Courtesy of Organizing Committee for Yokohama Triennale

“TELEPHONE IN MAZE” by Yoko Ono, 2011, Courtesy the Artist
Photo by Keizo Kioku, Photo Courtesy of Organizing Committee for Yokohama Triennale

"THE SEVEN SEASONS" by Yukinori Maeda, 2011, Courtesy Taka Ishii Gallery, Tokyo Photo by Keizo Kioku, Photo courtesy of Organizing Committee for Yokohama Triennale

“THE SEVEN SEASONS” by Yukinori Maeda, 2011, Courtesy Taka Ishii Gallery, Tokyo
Photo by Keizo Kioku, Photo courtesy of Organizing Committee for Yokohama Triennale

[left] "Where did it come from and where did it go?" by Taisuke Abe, 2011, Collection of the Artist Photo by Keizo Kioku, Photo Courtesy of Organizing Committee for Yokohama Triennale [right] "Absolute Domain - Dragon" by Osamu Mori, 2008, Private Collection, Courtesy YAMAMOTO GENDAI, Tokyo, Photo by Keizo Kioku, Photo Courtesy of Organizing Committee for Yokohama Triennale

[left] “Where did it come from and where did it go?” by Taisuke Abe, 2011, Collection of the Artist
Photo by Keizo Kioku, Photo Courtesy of Organizing Committee for Yokohama Triennale
[right] “Absolute Domain – Dragon” by Osamu Mori, 2008, Private Collection, Courtesy YAMAMOTO GENDAI, Tokyo, Photo by Keizo Kioku, Photo Courtesy of Organizing Committee for Yokohama Triennale

"A whole museum could be used at once" by Koki Tanaka, 2011, Courtesy AOYAMA | MEGURO, Tokyo and Vitamin Creative Space, Guangzhou Photo by Keizo Kioku, Photo courtesy of Organizing Committee for Yokohama Triennale

“A whole museum could be used at once” by Koki Tanaka, 2011, Courtesy AOYAMA | MEGURO, Tokyo and Vitamin Creative Space, Guangzhou
Photo by Keizo Kioku, Photo courtesy of Organizing Committee for Yokohama Triennale

[left] "A man and some birds" by Rika Noguchi, 2010, Courtesy the Artist and Gallery Koyanagi, Tokyo [right] "Restoring the thing I've lost #2" by Kazuna Taguchi, 2009, Collection of The National Museum of Art, Osaka, © the artist, Courtesy ShugoArts, Tokyo

[left] “A man and some birds” by Rika Noguchi, 2010, Courtesy the Artist and Gallery Koyanagi, Tokyo
[right] “Restoring the thing I’ve lost #2″ by Kazuna Taguchi, 2009, Collection of The National Museum of Art, Osaka, © the artist, Courtesy ShugoArts, Tokyo

"Earthy hill Roots below Net or branches above Stork over the branches There people are looking for ants, or drawing the picture of stone looks like a stone. " by Tomoko Kashiki, 2008, TAKAHASHI COLLECTION, Courtesy Ota Fine Arts, Tokyo

“Earthy hill Roots below Net or branches above Stork over the branches There people are looking for ants, or drawing the picture of stone looks like a stone. ” by Tomoko Kashiki, 2008, TAKAHASHI COLLECTION, Courtesy Ota Fine Arts, Tokyo

"Canal Earth" by Tiger Tateishi, 1994, Courtesy YAMAMOTO GENDAI, Tokyo

“Canal Earth” by Tiger Tateishi, 1994, Courtesy YAMAMOTO GENDAI, Tokyo

Yokohama Triennale 2011 “OUR MAGIC HOUR – How Much of the World Can We Know? -”
http://www.yokohamatriennale.jp/en/

Exhibition Info
Date: Aug 6, 2011 – Nov 6, 2011
Place: Yokohama Museum of Art, NYK Waterfront Warehouse (BankART Studio NYK) and the surrounding areas
Address: Yokohama Museum of Art 3-4-1, Minatomirai Nishi-Ku,Yokohama, Japan
NYK Waterfront Warehouse (BankART Studio NYK) 3-9, Kaigandori Naka-ku, Yokohama, Japan